“1:54” emerges as a gripping amalgamation of a coming-of-age sports drama, tackling prevalent issues like cyberbullying, sexuality, and personal identity. Directed by Yan England, known for his Oscar-nominated short “Henry,” this marks his accomplished foray into feature-length storytelling. The film’s strength lies in its ability to navigate complex themes while maintaining emotional resonance.
At its core is the character of Tim, portrayed with intense depth by Antoine Olivier Pilon, known for his remarkable performance in “Mommy.” Tim, alongside his friend Francis, grapples with bullying and ostracization, exacerbated by the torment inflicted by school bully Jeff. Their struggles take a tragic turn when Francis is publicly outed, leading to devastating consequences that haunt Tim.
Pilon’s performance as Tim is a tour de force, capturing the character’s inner turmoil and resilience with authenticity. His portrayal anchors the film amidst its multifaceted narrative, imbuing it with raw emotion and urgency. Alongside Pilon, Sophie Nelisse delivers a nuanced performance, adding depth to the ensemble cast.
The film “1:54” deftly intertwines elements of a sports drama as Tim seeks redemption through track competitions, confronting Jeff in a bid to reclaim his agency. However, beneath the surface, lies a potent exploration of identity, acceptance, and the corrosive effects of cyberbullying.
While the plot occasionally veers into melodrama, England’s direction maintains a sense of authenticity, steering clear of easy sentimentality. The film’s narrative may not satisfy all viewers, but its thought-provoking themes and fine performances elevate it above typical teen dramas.
“1:54” resonates as a poignant reflection on the challenges facing modern-day adolescents, grappling with issues of belonging, self-discovery, and societal pressures. With its compelling storytelling and timely subject matter, the film stands as a testament to the resilience of the human spirit in the face of adversity.






















