In the heart of Tel Aviv, Guy (Israel Ogalbo) and his best friend Joy (Moran Rosenblatt) revel in the vibrant celebration of a gay pride parade. Their euphoria is shattered by a deadly shooting, forcing them to flee into the safety of Guy's home. Alongside them is Dan (Dean Miroshnikov), a fellow pride parader in shock. With the shooter still at large, the trio embarks on a night of sex, drugs, and paranoia, turning their sanctuary into a hallucinogenic battleground.
“In Bed,” directed and written by Nitzan Gilady, takes audiences on a harrowing journey through the aftermath of a gay pride parade turned tragic. The film stars Israel Ogalbo as Guy, Dean Miroshnikov as Dan, and Moran Rosenblatt as Joy, exploring the complex emotions, fear, and intimate moments that arise when their celebration is abruptly halted by a deadly shooting.
The film’s premise is undeniably compelling, creating an intimate and claustrophobic setting that serves as a potent backdrop to the fears and anxieties faced by the LGBTQ+ community in places where hate crimes and homophobia are pervasive. The story unfolds as Guy and Joy, along with a fellow pride participant named Dan, seek refuge in Guy’s home. The characters grapple with the reality of the shooter still on the run, leading to a night filled with sex, drugs, and paranoia.
Gilady’s film has the potential to delve into the political and personal issues arising from such a drastic situation, providing a raw and intense experience. However, the reviewer notes a slight divergence in the film’s style, leaning more towards horror than a drama with a thriller edge. This prompts consideration of whether a straight horror approach might have enhanced the film’s impact, especially given its intense atmosphere.
The performances, particularly by Israel Ogalbo, Dean Miroshnikov, and Moran Rosenblatt, are praised for their intensity and the portrayal of characters who evolve throughout the film. Ogalbo captures Guy’s initial confidence and sensuality, gradually revealing cracks as self-medication pushes him into a downward spiral. Miroshnikov brings mystery to the character of Dan, slowly peeling back layers that add depth to the narrative, while Rosenblatt effectively balances strength and vulnerability in her portrayal of Joy.
Despite the film’s promising elements, the review suggests missed opportunities in fully exploring the issues at play and capitalizing on the potential for a deeper dive into horror. Additionally, a critique is raised regarding the portrayal of the lone female character, with concerns about potentially emphasizing vulnerability and loneliness to a problematic extent.
“In Bed” started with a superb idea, strong setting, and impactful atmosphere, yet the review suggests it may not have fully realized its potential. While performances and direction offer a dark and intense edge to the narrative, the film leaves room for deeper exploration of its themes and perhaps a more nuanced genre approach. The review provides a balanced perspective, acknowledging strengths while offering constructive criticism for a potential viewer’s consideration.
