José (2018): Love, Faith and Survival in Guatemala
Guatemala in Close-Up
José, directed by Li Cheng, drops us into the chaos of Guatemala City: traffic jams, crowded buses, cheap sandwiches, mothers worrying, and the ever-present weight of poverty. Nineteen-year-old José lives with his devout mother, who loves him fiercely but also clips his wings with expectations. Their tiny apartment is full of prayers, bills, and unspoken fears.
Enter Luis – A Different Kind of Promise in José
Then comes Luis, a construction worker from the countryside. He is gentle, scarred by life, but brave enough to open a door José didn’t even know he could walk through: a chance at love. Their relationship is tender, awkward, and often stolen in brief moments – the kind of love story that feels both inevitable and doomed in a city where eyes are always watching.
“Love without expecting anything in return.”
– overheard in José’s world
The Camera Doesn’t Blink
Cheng films it with the patience of a documentarian. The camera lingers on food stalls, sweaty T-shirts, evangelical preachers on the street, and cheap cell phones with no credit left. Against that backdrop, José and Luis’s intimacy feels almost rebellious. No melodrama, no glossy romance – just two young men holding on to what little happiness they can find.
Mother, Son, and the Weight of Faith
But there’s always the mother. Her presence is both nurturing and suffocating. She prays for José, clings to him, and makes it clear that he is her whole world. For José, this love is both a blessing and a chain. He loves her back, but where does that leave Luis? When duty and desire collide, something has to break.
No Easy Exits in José
José (2018) doesn’t give us neat answers. No Hollywood declarations, no happy-ever-after. Just silences, glances, and questions that sting long after the credits. Should José stay loyal to his mother and survival? Or risk it all for love with Luis? In a country marked by violence, poverty, and conservatism, even asking the question feels radical.
And that’s the beauty of this film. José is small, quiet, almost fragile – but it hits hard. It reminds us that in certain places, to simply love openly is already an act of courage. In José’s world, love is not just complicated – it’s a luxury.






















