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Home » Drama » The Dreamers (2003)

The Dreamers

The Dreamers (2003)

Director: Bernardo Bertolucci
Writers: Gilbert Adair (novel), Gilbert Adair
Genre: Drama
Country: UK, France, Italy
Year: 2003
Runtime: 115 min

Stars: Michael Pitt, Louis Garrel and Eva Green

 

 

 

 

 

 

 

04-cropAmerički student Matthew provodi burno proljeće 1968. u Parizu uglavnom gledajući filmske klasike u poznatoj Francuskoj kinoteci, dok pariške ulice ključaju od studentskih demonstracija. U kinoteci upozna neobičan par svojih vršnjaka – lijepu Isabelle i njezina brata Thea. Oni ga smjesta uvedu u svoj dekadentni svijet u kojem se ljubav za film prepleće s intenzivnim erotizmom…

Ovaj Bertolučijev film ne spada u gay tematske filmove iako u njemu ima elemenata koji su doprinijeli da se nađe na ovom blogu. Prvenstveno erotske muške scene, seksualna privlačnost, gay poljubac, ali i tematika filma koja nam pokazuje seksualno oslobađanje krajem 60-tih godina nakon.

 

09Slavni talijanski sineast Bernardo Bertolucci (Posljednji tango u Parizu, Dvadeseto stoljeće, Posljednji kineski car, Čaj u Sahari, Mali Buda, Ukradena ljepota) prvu je afirmaciju stekao šezdesetih godina, a sam ističe da je za njegovo filmsko formiranje ključno bilo posjeććivanje Francuske kinoteke. U vrijeme burnih zbivanja 1968. Bertolucci je bio nekoliko godina stariji od protagonista svog filma "Sanjari", međutim priča filma svakako sadrži i autobiografske konotacije. Ljevičar i libertinac, Bertolucci slavi ’68. kao procvat slobode, ljubavi i erotizma, međutim kroz lik Amerikanca Matthewa zauzima prema njoj i kritičko stajalište.

Uostalom, poznavaoci Bertoluccijevog stvaralaštva prepoznaju njegovu biseksualnu crtu koja se provlači skoro kroz sve njegove filmove.

Interesantno je da je ovaj film u USA dobio oznaku NC 17. u rangu sa pornićima. Američka hipokrizija je time dostigla svoj vrhunac. U filmu se u jednoj sceni prikazuje vagina I u dvije muškarci sa opuštenim penisima. To je sve.

Film pogledajte OVDJE

 

 

Bertolucci, the Italian master behind Last Tango in Paris, The Conformist and the Oscar-winning Last Emperor, stirs things up. The Dreamers may go slack when you most want it to soar, but it also seduces with eroticism and resonates with ideas.

Dreamers212__rgbThe setting is Paris in 1968. Matthew, an American student played with implosive intensity by Michael Pitt (Hedwig and the Angry Inch), spends hours absorbing movie culture at the Cinematheque Francaise. Matthew sits up front wanting to feel the images as they come off the screen "still fresh, still new." New Wave directors are revolutionizing film. Outside, young protesters take on the government.

It’s in this surging atmosphere that Matthew meets Isabelle (Eva Green) and her twin brother, Theo (Louis Garrel). He moves into their apartment — their parents are away for a month — and is pulled into their incestuous games.

 

The Dreamers, like its three main characters, is drunk on movies. Bertolucci includes clips, from Chaplin and Garbo to the exhilarating moment in Godard’s Band of Outsiders when the lead actors race through the Louvre, a scene Matthew, Isabelle and Theo re-create. Bertolucci, fighting the stilted script by Gilbert Adair, revels in this atmosphere, especially when Theo is forced by his sister to masturbate to a photo of Marlene Dietrich as punishment for not guessing the name of one of her films.

[myyoutubeplaylist xUBL6rkXovQ, xG04MZYVMz8,H-hSwZ_2QGI]

imagesThe early scenes of playful sexuality — the three in a tub, and Matthew gazing wonderingly up at Isabelle’s crotch as he sucks her toes — take on a toxicity as jealousy kicks in and secrets are revealed. Matthew and Isabelle go at it on the kitchen floor while Theo fries eggs and pretends not to notice. Bertolucci and his superb cinematographer Fabio Cianchetti notice everything. And the three actors — Green has a startling beauty — provide the canvas for the play of conflicting emotions. The film errs only when it tries for a profundity it can’t support. But there’s no denying the thrill when the trio — now possessed of a hard-won self-awareness — gets swept up in the street riots and a new world of danger and possibility. Bertolucci provokes audiences instead of pacifying them. Boy, do we need him now.

 

Watch Movie HERE

 

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