Drawn Back Home (2020) is a quiet, emotionally charged indie drama about two men reunited in their small hometown, forced to face grief, guilt and the feelings they never really resolved.
Leave It on the Floor (2011) follows Brad, a gay kid thrown out by his mother who finds shelter in the House of Eminence, a fierce Los Angeles ballroom family. Between voguing battles, forbidden hookups and tragic loss, the film turns camp, music and glitter into a story about shame, survival and the price of chosen family.
Three gay men, three coincidences, three consequences. Exteriors (2023) follows Wyatt, Jason and therapist Peter as old crushes, half-healed wounds and forbidden fantasies crash into the lives they are trying to build now.
Fine Young Men (2024) takes us into a Catholic boys’ school where money, machismo and politics matter more than truth. Alf comes back from a year away, falls for Oliver’s world, then betrays him in one desperate move to stay “one of the guys”. One party, one lie and a guilt you can’t wash off.
In I Don’t Know Whether to Slit My Wrists or Leave Them Long (2013), two couples, a Spanish neighbor and a wounded ex-footballer share the same Mexico City building and slowly fall apart. What starts as loud comedy turns into a very human dramedy about depression, fake marriages, sexuality and the tiny lies that keep us “functional”.
The Greatest (2024) takes us back to 1960s New York, where Jay is doing everything right, good job, perfect wife, respectable life until he falls in love with Ricky, a man who finally sees him. What follows is not a loud scandal, but a slow, quiet destruction powered by fear, shame and social pressure. This is a tender, painful queer love story about lost time, half-lived lives and the small mercy of a second chance.
A young gay man returns from Buenos Aires to his small hometown for his parents’ anniversary and walks straight back into the closet he thought he’d left behind. “A Skeleton in the Closet” quietly exposes how family love, silence and everyday homophobia collide around one dining table.
Director: Nicolás Teté
A lively 90s Madrid, a straight preschool teacher, her promiscuous gay best friend and one new man who quietly detonates everything between them. Amor de hombre looks like a light queer comedy, but underneath the jokes it’s a messy little story about jealousy, fear, HIV scares and the dangerous comfort of “we have each other”.
In Bittersweet Waters (2019), a young man in rural Mexico quietly builds a house and a future with the boy he loves while his mother, his lover’s pregnant fiancée and a vicious little village slowly close every exit around them.
A closeted cop and a conflicted priest find themselves drawn into a heat neither of them is supposed to feel. One serves the law, the other serves God yet the moment they get too close, desire slips through every rule meant to keep them apart. It’s dangerous, forbidden, and impossible to ignore
A warm, funny and quietly intimate story about two childhood friends who reconnect, tease, flirt, and accidentally fall into each other’s gravity during one summer by the sea.
“August (2011)” is a quiet, intimate gay drama about what happens when an old love returns and stirs up everything you thought you’d buried. A film about timing, desire, and the messy pull of unfinished feelings.
I Am Jonas follows a man forced to confront the one summer that shaped him and the boy whose disappearance still defines his life.
Director: Christophe Charrier
Twinless” (2025) is a haunting indie drama about loss, obsession, and the fragile line between love and identity — quiet, emotional, and deeply human
A cozy queer Christmas romance where house swapping turns into heart swapping. From sunny L.A. to snowy Brilfax love doesn’t need a GPS.
Dirk Bogarde stars as a lawyer whose pursuit of justice becomes a personal reckoning in one of Britain’s earliest films to confront homosexuality head-on.
Heartbroken Toey escapes to Japan, where he meets Oat – another Thai man hiding from his own truths. Between cold mornings and warm silences, their connection slowly grows into something that heals more than just loneliness.
In Entropic (2019), beauty becomes unbearable. Robert W. Gray’s haunting queer art film follows a man trapped inside other people’s desire a quiet, unsettling reflection on identity, control, and the danger of being seen.
A raw and emotional gay themed movie about love, addiction, and survival — showing how kindness turns to control and love becomes the most dangerous drug.
Director: Max Emerson
In the heart of Madrid, twelve strangers collide in a heatwave of sex, chaos, and accidental love stories — one of Spain’s most daring gay films.
