A gay Internet connection is made, but entanglements ensue due to hiding behind the name and photo of a straight male stripper who happens to return to the area.
Tiffani and her friend Casey try to lure the gorgeous Zack with a phony online profile using the image of Tiffani’s buff ex, Ryan… which works fine until the real Ryan shows up. Only through some fancy footwork, advice from his Aunt Helen and mentor Harry, and a daring sexual escapade can Casey figure out how to set things right and perhaps even find the love he’s been seeking.
Absolutely essential, Eating Out: All You Can Eat is the story of Casey, a naive new arrival in West Hollywood, and his misadventures trying to score a date with the super-hot Zack. Filled with disgustingly hysterical jokes, EA3 is a rare breed, it works as both a romance and a sex comedy.
A raunchy sex comedy or a gay romance, however you see this third entry in the highly successful series, it’s a wonderful film, filled with laughs, hot guys and a beautiful love story. Beside the requisite dirty jokes, director Glenn Gaylord and writer Phillip J. Bartell developed this story as a love story, a gamble that paid off big-time. Sexy 
temptress/fag hag Tiffani (Rebekah Kochan reprising her role) and her boyishly cute friend Casey try to lure the buff and sweet Zack with a phony online profile using the image of Tiffani’s buff ex, Ryan. That works fine until the real Ryan shows up and chaos ensues. Only through some fancy footwork, advice from his Aunt Helen (Mink Stole) and mentor Harry (Leslie Jordan, “Sordid Lives”), and a particularly photogenic hook-up, can Casey figure out how to set things right and date Zack. Besides the gay icons in the film, Eating Out: All You Can Eat introduces six openly gay actors in lead roles including: Daniel Skelton, Chris Salvatore, Michael Walker, John C. Stallings (“The Janice Dickinson Modelling Agency”), Maximiliano Torandell, and Rick D’Agostino.
Taking inspiration from the classic screwball comedies of the thirties, the writers and directors have taken the decades-old formula of mistaken identities and turned it on its head and brought the concept into the twenty-first century. Judging by the ecstatic crowd reaction at the screening we were at, Eating Out: All You Can Eat is a major hit — and even better than the second edition.
