"Parting Glances" (1986) is a landmark in LGBTQ+ cinema, offering an intimate snapshot of gay life during the height of the AIDS crisis. Written and directed by Bill Sherwood, the film stands out for its heartfelt storytelling, nuanced characterizations, and cultural significance.
“Parting Glances” is a 1986 independent film directed and written by Bill Sherwood. The film is considered to be one of the earliest depictions of gay life in New York City during the height of the AIDS epidemic. The film explores the complex relationships between the characters and the struggles they face in a society that is hostile to their sexual orientation.
Set over a single day, the film centers on Michael (Richard Ganoung) and Robert (John Bolger), a gay couple facing a pivotal moment as Robert prepares to leave New York for a work assignment in Africa. As Michael grapples with the separation, he also cares for his ex-lover, Nick (Steve Buscemi in a standout performance), who is living with HIV.
A Groundbreaking Portrayal of LGBTQ+ Life
Bill Sherwood’s 1986 independent film stands as one of the first to depict the everyday lives of gay men during the AIDS crisis. Eschewing stereotypes, Sherwood provides a nuanced narrative that resonates across decades.
“You’re leaving because you don’t want to be here when Nick dies.” – Michael
This confrontation captures the fear and avoidance surrounding illness, a theme central to the film’s emotional core.
Characters with Depth and Humanity
- Michael: The emotional anchor of the story, Michael embodies the struggles of balancing love, responsibility, and personal identity. His journey reflects the challenges faced by those in caregiving roles during the AIDS crisis.
- Nick: Played by a young Steve Buscemi, Nick is unforgettable. His sharp wit and poignant vulnerability make him the heart of the film.
“I know I’ll live to see the cure. I just won’t live long enough to get it.” – Nick
This line underscores both hope and despair, a hallmark of the 1980s LGBTQ+ experience. - Robert: A symbol of ambition and escape, Robert’s choice to leave reflects a common tension in relationships: the push and pull between career and emotional commitments.
Themes of Love, Loss, and Resilience
The film deftly explores:
- The Complexity of Relationships: From Michael’s tender care for Nick to his strained connection with Robert, the film delves into the multifaceted nature of love.
- The AIDS Crisis: Nick’s illness is both a personal battle and a representation of the broader epidemic that devastated the gay community.
- Chosen Family: The support network seen at Robert’s farewell party highlights the importance of community during times of adversity.
The soundtrack, featuring Bronski Beat and The Style Council, and the bustling New York City backdrop ground the film in its 1980s setting. The authentic dialogue and lived-in performances make it a snapshot of queer life during a pivotal era.
Humor Amid Tragedy
Despite its heavy themes, the film is laced with humor and wit. Characters like Joan add levity, reminding viewers of the joy and resilience found in queer communities even during difficult times.
“You don’t decide what sex you like. You ask your dick.” – Nick
Legacy and Impact
Sherwood’s only film before his untimely death remains a cornerstone of queer cinema. Its authentic storytelling paved the way for more nuanced LGBTQ+ representations in film.
