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Gay short movies
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Home » Crime » Burnt Money (2000) – A Thrilling Tale of Crime, Passion, and Loyalty in 1965 Argentina

Directed by Marcelo Piñeyro, Burnt Money (Plata Quemada) tells the true story of a bank heist gone wrong and the intense relationship between two of its perpetrators, Nene (Leonardo Sbaraglia) and Angel (Eduardo Noriega). Known as “the twins” for their physical resemblance, the pair are, in fact, lovers caught up in a world of crime and repression. After a violent and poorly executed bank robbery in Buenos Aires, they flee to Uruguay with their accomplice, Cuervo, awaiting a safe passage back home. However, love, jealousy, and desperation erode the gang’s fragile unity, and their sanctuary becomes a prison, pushing the men toward a final, fateful act of rebellion. Their defiant decision to burn the stolen money serves as a powerful symbol of their disdain for society’s materialism, bringing the story to a tragic yet liberating end.

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Burnt Money (2000)
125 min | Crime, Drama, Romance | 11 May 2000
7.0Rating: 7.0/10 from 6.9K users
Burnt Money is a crime thriller with a deeper narrative that explores the intense relationship between two men and their shared defiance of social norms. Set in 1965 Argentina, the film examines the impact of violence, repression, and love against the backdrop of a failed heist and subsequent manhunt. The director’s choice to focus on the subtleties of intimacy rather than explicit displays allows for an authentic portrayal of love amidst chaos, and the performances by Sbaraglia and Noriega add profound depth to this story of passion and rebellion.

 

 

Plata Quemada (2000), also known as Burnt Money, directed by Marcelo Piñeyro, is a gritty Argentine film based on a true story of crime and passion set in 1965. It follows two lovers, Nene (Leonardo Sbaraglia) and Angel (Eduardo Noriega), who, along with their accomplice Cuervo (Pablo Echarri), are involved in a brutal bank robbery in Buenos Aires. When the heist goes wrong, leaving them on the run, the trio flees across the border to Uruguay, where they must lay low until they can make their next move. As tensions rise among the gang members, the film examines how stress, isolation, and personal conflict can fracture relationships, even between the closest of companions.

Piñeyro expertly crafts the narrative as a slow-burning thriller, focusing equally on the group’s criminal exploits and the complex dynamics between Nene and Angel. Although known to others as “the twins” due to their physical resemblance, they are in reality lovers rather than brothers, sharing a bond that adds emotional depth to the story. Their relationship, though tumultuous, feels authentic and intimate, and it becomes central to the film’s power. With very little physical demonstration of affection, Piñeyro uses subtle gestures and meaningful glances to convey a sense of profound connection between the two, avoiding clichés and making the bond between them feel almost tangible.

The characters of Nene and Angel are more than just criminals; they represent outsiders in both the social and cultural landscape of the time. Nene, despite his love for Angel, is portrayed as someone who struggles with his desires and identity. Meanwhile, Angel grapples with feelings of abandonment, often turning to self-destructive behavior, like heroin use, to cope. Their relationship is tender yet fraught, marked by jealousy, longing, and misunderstanding, with each character embodying a sense of vulnerability that humanizes them despite their brutal actions.

The film juxtaposes their relationship against the gang’s descent into chaos, culminating in scenes that vividly depict the devastating impact of love, violence, and betrayal. The powerful climax comes when Nene and Angel choose to burn the stolen money, an act that symbolizes their rebellion against the materialism that surrounds them and cements their loyalty to each other. The heartbreaking yet liberating ending underscores the film’s central themes of love and loyalty in a world that views them as outcasts. The moments when Angel is injured and Nene tends to his wounds are especially poignant, highlighting the physical and emotional toll of their journey.

Plata Quemada is not merely a crime thriller; it’s an evocative study of a love that defies social norms. Piñeyro deftly balances the film’s action and suspense with these deeper explorations, making it one of the most memorable entries in Latin American cinema. The performances by Sbaraglia and Noriega are outstanding, imbuing their characters with a sense of realism and intimacy that is both heartbreaking and compelling. Their portrayal elevates the film, allowing viewers to feel the weight of the characters’ choices and the cost of their loyalty.

Though the film’s subtitling has been criticized for being inadequate, leading some viewers to miss nuances in dialogue, the film’s visual storytelling and emotive performances largely compensate for this. Despite moments of graphic violence and brief nudity, Plata Quemada remains a powerful story of love and defiance, appealing to anyone drawn to themes of passion and rebellion.

Plata Quemada is a remarkable addition to Latin American cinema, resonating with viewers not only for its thrilling plot but also for its exploration of love in a world marked by prejudice and danger. The film is not merely about crime or violence; it’s a story of two men who find meaning in each other in a world that would cast them aside. Through its nuanced characters, Piñeyro crafts a haunting portrayal of the lengths to which people will go for love and loyalty, and how those forces can both sustain and destroy.