Home » Drama » That Is All (2019): Finding Connection in Solitude – a film by Mark Weeden

‘That Is All’ is a film from writer/director Mark Weeden and it has been gathering momentum on the festival circuit. Arriving on digital during Pride month, the film is an understated exploration of a man trying to come to terms with the reality of who he is. It becomes clearly very quickly that Ryan is in denial about his sexuality, hiding his wants and desires from the small group of friends he has.

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That Is All (2019)
107 min | Drama | 14 September 2019
6.2Rating: 6.2/10 from 333 users
That Is All follows Ryan, a man on the verge of turning 30, grappling with profound loneliness. His life takes an unexpected turn when he meets Sam, his friend's boyfriend. As their connection deepens, Ryan confronts his true self and what it means to embrace his identity and existence.

 

 

Ryan’s life is defined by routine and solitude as he navigates his late 20s. A chance encounter with Sam, the boyfriend of one of Ryan’s friends, offers him an escape from his loneliness. What begins as a casual acquaintance evolves into a life-changing relationship. Ryan must grapple with his feelings, the expectations placed upon him, and the possibility of a different future. That Is All is a moving exploration of love, identity, and the courage it takes to live authentically.

“A Tale of Transformation and Truth”

That Is All, directed and written by Mark Weeden, is a quietly powerful exploration of loneliness and connection. Joel Ballanger delivers an exceptional performance as Ryan, capturing the nuances of a man caught between societal expectations and his own desires.

Al Braatz’s portrayal of Sam is equally compelling, providing a sense of warmth and authenticity that draws both Ryan and the audience closer. Together, their chemistry is electric, making their evolving relationship feel both tender and transformative.

The supporting cast, including Sara Hinding as Maya and Daniel Bossenberry as Paul, enriches the narrative with grounded performances, adding depth to Ryan’s world. Each character contributes to the film’s exploration of identity, making the story relatable and universal.

The cinematography deserves special mention, as it reflects Ryan’s emotional journey. Quiet, dimly lit scenes emphasize his solitude, while brighter moments highlight his growing connection with Sam. The pacing, though deliberate, allows viewers to fully immerse themselves in Ryan’s experience.

This European-inspired film resists tidy resolutions, leaving viewers to ponder Ryan’s choices. While it’s clear his future may carry challenges, the open-ended nature invites reflection on the impact of societal pressures and personal fears on relationships and self-acceptance.

Blockquote:

“It’s not just about love; it’s about understanding yourself in a world that often demands you to be someone else.” – Director Mark Weeden

Painful yet authentic, the story leaves viewers with mixed emotions—sadness for Ryan’s struggles and appreciation for the honesty of his journey. The film’s use of Toronto enhances its narrative, capturing the city’s cold, layered aesthetic to mirror Ryan’s internal conflict.