A talent manager tries to rescue his chaotic TV-star client on a wilderness retreat, and ends up falling for the calm life coach he didn’t plan for.
Three broke roommates discover that sugar daddies are sometimes easier than real jobs – until money, feelings and bad decisions start mixing together in the worst (and funniest) possible ways.
A queer night-out film that pretends to be about sex, but ends up being about loneliness, timing, and the strange intimacy of chasing someone who might never really be there.
A quiet, dialogue-driven indie drama about a writer trapped between memory and possibility. Dream Boy explores grief, addiction, and the fragile courage it takes to love again after loss.
A dark gay-themed psychological drama-thriller about an escort haunted by visions while searching for his missing twin brother. Slow, unsettling, and far from romantic.
A quiet, deeply emotional film about memory, music, and a love that never needed to be named. Subtle performances and restrained storytelling turn sound itself into a lasting emotional echo.
On Amari’s 30th birthday, Q has plans for everything – until a city lockdown kills the lights, the phones, and the small talk. Trapped in one apartment, they’re forced to face grief, a health scare, and the truth about what’s been breaking them for a while.
A quick elevator flirt turns into forced proximity, panic, wine, and an unexpectedly sweet dance lesson. Then the film reveals the real story underneath: what happens when you’re tired of being alone and still trying to believe in a hopeful ending.
A quiet, devastating short about early grief – the paperwork, the routines, and the guilt that appears the moment you feel something warm again. One pharmacy encounter turns into a tiny emotional earthquake, asking whether wanting to live is the same as being “good.”
A tense 15-minute short where a simple swim turns into a quiet, claustrophobic confrontation and the water stops feeling safe.
Director: Pepi Ginsberg
As Long As I’m Famous (2019) plays like a gay backstage fantasy about young Sidney Lumet’s summer with Montgomery Clift and other Broadway idols, talky, messy and painfully honest about what it costs to orbit famous men without ever being one of them.
Down in Paris follows Richard, a gay filmmaker in his forties who abandons his own film shoot and wanders through Paris at night. Along the way he meets drivers, hustlers, ex-lovers, prophets and ghosts from his past, each stripping away a layer of ego until only a scared, honest man is left.
The Green (2011) follows Michael, a gay teacher in a small Connecticut town whose life collapses overnight after a student’s accusation turns him into the perfect villain for everyone’s fears. Instead of a courtroom thriller, the film gives us a slow, intimate look at gossip, cowardice and the way institutions protect themselves first. It’s a quiet, emotionally heavy drama about love, doubt and how fragile a queer life can be when the wrong story sticks to your name.
Drawn Back Home (2020) is a quiet, emotionally charged indie drama about two men reunited in their small hometown, forced to face grief, guilt and the feelings they never really resolved.
Leave It on the Floor (2011) follows Brad, a gay kid thrown out by his mother who finds shelter in the House of Eminence, a fierce Los Angeles ballroom family. Between voguing battles, forbidden hookups and tragic loss, the film turns camp, music and glitter into a story about shame, survival and the price of chosen family.
Three gay men, three coincidences, three consequences. Exteriors (2023) follows Wyatt, Jason and therapist Peter as old crushes, half-healed wounds and forbidden fantasies crash into the lives they are trying to build now.
The Greatest (2024) takes us back to 1960s New York, where Jay is doing everything right, good job, perfect wife, respectable life until he falls in love with Ricky, a man who finally sees him. What follows is not a loud scandal, but a slow, quiet destruction powered by fear, shame and social pressure. This is a tender, painful queer love story about lost time, half-lived lives and the small mercy of a second chance.
A closeted cop and a conflicted priest find themselves drawn into a heat neither of them is supposed to feel. One serves the law, the other serves God yet the moment they get too close, desire slips through every rule meant to keep them apart. It’s dangerous, forbidden, and impossible to ignore
“August (2011)” is a quiet, intimate gay drama about what happens when an old love returns and stirs up everything you thought you’d buried. A film about timing, desire, and the messy pull of unfinished feelings.
A tense queer short about Wesley, a young man whose crush on Matt slowly turns into imitation as he reshapes his body and identity to match the man he desires.
Director: Kevin Lewis
